May 13

 Peter Overend Watts

May 13, 1947 – January 22, 2017

Mott the Hoople featured the driving rhythms of bass guitarist Peter Overend Watts from 1969 to 1974. He provided the essential low-end foundation for the group's transition from gritty rock and roll to the forefront of the glam movement. His stage presence and reliable technical skill were central to the success of landmark recordings like All the Young Dudes and Mott.

The British ensemble Mott was subsequently spearheaded by the same bass guitarist and rhythm guitarist from 1974 to 1976. He later joined the rock group British Lions from 1977 to 1979, contributing to their high-energy studio releases and live performances. Through his work with these various lineups, he helped define the evolving hard rock landscape. By 1980, his creative output across several bands had secured his status as a vital contributor to the decade’s sonic identity.

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Richard Salwitz

May 13, 1945

Richard Salwitz, widely known by his stage name Magic Dick, provided the wailing harmonica textures for the J. Geils Band from 1967 to 1985. His aggressive style became a focal point on early seventies releases like The Morning After and Bloodshot.

While contributing as the trumpet player and saxophone player for the ensemble, he helped bridge the gap between blues and hard rock. His technical proficiency remained a signature element through 1980.

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Danny Kirwan

May 13, 1950 – June 8, 2018

Fleetwood Mac recruited lead guitarist and rhythm guitarist Danny Kirwan in 1968, a move that shifted the group toward a more melodic and complex blues-rock sound. His sophisticated vibrato and songwriting appeared on pivotal albums such as Then Play On and Kiln House. Acting as a creative centerpiece for the ensemble from 1968 to 1972, he contributed intricate harmony parts and served as a lead vocalist, helping the band navigate the departure of their founding leader while maintaining commercial relevance.

His work on Future Games and Bare Trees showcased a delicate, atmospheric approach to the electric guitar. After his tenure with the quintet ended, he transitioned into a solo career, releasing three studio albums that highlighted his skills on the acoustic guitar. By 1980, his recorded legacy remained a vital bridge between British blues and contemporary rock styles.

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Paul Thompson

May 13, 1951

Roxy Music recruited Paul Thompson as their drums player in 1971, a position he held through 1980 and again from 2001 to 2011. His powerful, steady rhythm defined the group's transition from art rock to sophisticated pop on albums like For Your Pleasure and Stranded.

Outside of his main quartet, he served as a session player on various studio projects. His heavy hitting remained a reliable constant for the ensemble until his 1980 departure.

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